Tuesday, 28 February 2012

NAKED GERALD

As part of our Readymade Sculpture workshop with David Kefford, myself and a few other students had the opportunity to work with found objects and one of the university's life drawing models, Gerald. These photos document how we combined the two into a very different form of sculpture.






For the full shoot visit my Facebook page...
http://www.facebook.com/THIS.IS.PATOGRAPHY

Just a word of warning however - Gerald's gallery contains some male nudity.

That's all for now folks - Still got a few shots from the trip to Berlin to edit, so I shall try and get those finished by tomorrow night. In the meantime however... Peace out, and rock on.

- Padfoot

Monday, 27 February 2012

SCULPTURES IN THE SNOW

Few weeks ago the venerable Mr David Kefford dropped in to dispense more of his "ready-made" installationey wisdom into our arty brainboxes. Despite turning up ridiculously late I was adopted by Fergus' group, and started throwing things at the dirty snowdrifts left behind in the car-park to see what happened.

This is the result:









That's all for now. Tomorrow though... Some lovely photos of dear old Gerald, the friendly neighbourhood transvestite. I've been meaning to sort these photos out for a little while now, but alas, photoshopping them has become a most heinous task. He's awesome though, seriously.


- Padfoot

Friday, 10 February 2012

REVIEWING THE REVIEW

Pretty self-explanatory really.

Last couple weeks we've been having these badass group critique things; they're a bit different, and mine were all in the afternoon so I got to lie in on both days. Which felt EPIC. Especially since I've been suffering from some serious manflu. Serious as in every time I sneeze, my arms go dead for a few seconds D: Weird stuff.

Anyway - From these two sessions I have established the following...
- Michael Wright does not like Noel Fielding's art
- My work is apparently "mischievious and anarchic"
- Having a ham sandwich and a can of sugarfree red bull with someone counts as a date.

I've also been mucking about with some Polaroids... Not really trying to achieve anything with them, I just love the style.



Ideas for the next few weeks...
Gonna paint on some mugshots, attempt a Dave McKean style comic through loose and spontaneous illustration, and maybe throw paint at people whilst taking photos of them.

Gosh, I really am a mischievious anarchist :P

 - Padfoot

Wednesday, 1 February 2012

PHOTOSHOP TOMFOOLERY

I scribbled down some nonsense that was sort of like the train of thought in my head; disconnected words and sentences running together. As an experiment, I put these onto some of the photos I printed yesterday:


notes from the collaborative practice lecture 


a nonsensical scribbled rant


Also, this was kinda interesting. Yesterday when printing, one of my photos didn't fix properly... it started off as a small yellow stain, and I figured it would be alright. Then, when I got home, it looked like this:


This giant, bruise-like blob appeared on the surface of the print.
A perfectionist might throw this away; but I am a fine artist: If I can make up some random bullshit to explain how its meant to look like that, then we're all groovy. 

I have some more paper and film on order, so may well be doing some more of these sneaky photos in the coming weeks... I'll keep ya posted.

- Padfoot

Tuesday, 31 January 2012

DARKROOM ADVENTURES

Spent a little time in the uni darkroom today, printing some of the sneaky photos I took on my grandad's old 120 camera. Having never used 120 film before (its like regular 35mm film, but bigger.) I was surprised at how sharp the negatives were; and the prints were very crisp. Here's some examples...


 Michael and Alison. There's a peculiar tension between them here, like two people that have just had an argument.

 Dimitra. Slight light leakage here on the film; also some motion blur on her hand. If I say it was deliberate, it becomes lomography. Win.

Tommy and Rochelle. Love the expressions in this.

Click on the images to make them bigger, btw. I realise not all of you appreciate teeny-weeny-eye-strain-o-vision.

Gonna order some more photographic paper tonight; only reason I stopped is cos I ran out. It's strange, working in the darkroom distorts your sense of time. You can be in there for what feels like an hour, and it turns out the whole day has gone. 
Got some plans to burn some text into them; thoughts, feelings, emotions. This will be based purely on outward expression of the subject.

Been thinking about that Doug story too... Think that might look pretty swish as a Dave McKean style comic. What do you think? 

- Padfoot

Saturday, 28 January 2012

"MEET DOUG."

As promised, here's that short story. It tells the tale of Doug, the man who has everything... but at the same time, the man who has nothing.


Right, that's enough of that mysterious oxymoron bollocks; here it is. Let me know what you think; I don't know, facebook me or something.


DOUG
Meet Doug. Doug is a powerful man. Shiny shoes, silk tie, sharp suit.

He owns this place. All of it. This megastructure of glass and steel – the result of hard work and dedication. The company that inhabits these walls, the employees, they all answer to him. Varnished oak desk, brass plaque stamped with his name. Monogrammed handkerchief to dab the sweat from his brow. Top-end smart phone, anodised aluminium and glass.

Doug has no family. Oh, his cheeky smile and charisma parted many a pair of pretty legs back in the day, but he worked so hard to get where he is now, things like a wife, children... slipped by the wayside.

In the evenings he sits alone, in the glow of his wood fire, glass of whiskey in hand. Expensive. It reminds him of the days in the trailer parks of Detroit when the power went out. Doug remembers...

He wasn't always like this. No, Doug is a rags to riches man. When he was young, there was no wood fire and expensive whiskey; there was a leaky gas heater that sucked more heat out of the room than it put in, and a glass of water with fuck-knows-what floating about inside it. It had this weird after taste but it quenched his thirst. Doug remembers.

Back at his desk. Doug sips a glass of ice cold purified water. Refreshing. No aftertaste.
He's worked hard for this, to get here.

But something isn't right.

Doug is a powerful man. He has more time and more money than most people. But deep down, something isn't right.

He feels a yearning for that aftertaste. Like iron filings, something metallic. His life is directed by the next profit-spinning technology, ideas, the rise and fall of stocks and shares.

He has no control. The markets and advisers control him.

He wants control back. That aftertaste, the memory is strong. That metallic sensation tickles the back of his throat.

He's taking back control. His legs pick him up from his desk, his mouth tells his secretary he's going for a walk, his hands put down the glass of repulsively clean, fresh water. He doesn't want it anymore. He's taking back control.

His heart pounds as he climbs the stairs of the fire escape. This isn't his territory; CEO's don't normally creep about in the walls. But Doug doesn't want to be a CEO anymore. He doesn't want any of it.
Bright light, his pupils contract, as he steps through the roof door. Cold wind whips him in the face, the icy fingers of a New York winter invade his silk suit. He's taking back control. He steps to the edge.

Rush hour traffic, the sound drifts up to him – shrieking of horns, wailing of sirens. They look like toys from way up here. He's taking back control.

He takes another step. Closer to the edge. He's taking back control. A few deep breaths of the cold morning air. Don't look down Doug. Just keep walking.

He's taking back control. He takes another step, the snow crunches under his shiny patent leather shoes. His heart pounds in his chest. The first time in 27 years that he's felt this alive.

He spreads his arms wide, takes a final step, into air, over the edge. He closes his eyes, and smiles. He's taking back control.

He's flying.

__________________________________________________________________________________

This here story be copyright property of Pat "Padfoot" Lee-Delisle (2012). Reproduction of this story is forbidden without written permission from me, and if I catch ye stealing this here text, then you'll surely be keelhauled, ya filthy brute.

- Padfoot 

H. P. MOTHERTRUCKIN' LOVECRAFT

After a week of the godly elixir of cider, beer and blackcurrant known as snakebite being fed into me via intravenous drip, the odd bowl of curly chips, and regular exposure to some nice, slow, chilled out doom metal, I must admit I feel fully refreshed following the madness of gallery week. 


Also, in a heavenly and totally conceptual burst of light the Tutors did come down from the kingdom of the Todd Building, and blessed me with a mark of 55% on my first semester's work. More snakebite and curly chips ensued.


I've also been reading some of HP Lovecraft's short stories, and filling my brain with the abstract and disturbing artwork of Dave McKean... Lovecraft is pure genius; despite the fact that his words no longer hold as much sway as they may have done when people genuinely thought the world was flat, I still immensely enjoy his stories of demons and monsters. McKean's illustrations have an unusual habit of getting under your skin; he works with ink, photos, collage, and oil paints, mashing media together and producing worlds and characters that surely stalk the dark places of the human consciousness. 


I personally enjoy working a certain amount of humour and wit into my work, but McKean's drawings and short stories have helped me tap into my dark side a little... I think we share the same sense of humour. His short narratives, particularly in the book Pictures That Tick, are horrific, yet at the same time witty and beautiful. His annotations in between the stories don't bother with punctuation or capital letters, and so have a very spontaneous feel to them, like a train of thought that was written down.


Inspired by this, I had a bash at writing my own short story... it was completely instinctual, and a little dark, but it was good fun to write it. I had no idea how the story would end when I wrote it; I just made it up as I went along. Definitely going to try and be less organised from now on - I've found that planning my art just doesn't work for me.

I'll post up my story later; just need to spell-check it and stuff. 



- Padfoot